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A finished squared off mug showing Keith's riveted handles and the added feet.

August 22, 2008

Video Tip of the Week: Hip to be Square - Making Squared-Off Mugs on the Potter's Wheel

by Keith Phillips | Read Comments (22)


Today’s video comes to us from potter Keith Phillips of Asheville, North Carolina. Keith takes us through his process of making squared-off mugs, starting on the pottery wheel with a bottomless cylinder and continuing through to the finishing stages, which incorporate some handbuilding techniques.


Since there is no narration on this video (just snappy tunes!), Keith has shared some additional thoughts and instruction on this process below. With the visual of the video and the written how-to instruction, you should be all set to try this technique in your own studios! - Jennifer Harnetty, editor.

The Hip Square Mug Technique
These square mugs are thrown just like any other mug, except they are thrown with no bottom. I used one
vidphillipssqmug_supp1.jpg
Keith adds visual interest by making horizontally spiraling lines on his mugs using the corner of a wooden rib.
pound of porcelain in the video. One thing to note about throwing a bottomless pot is that you should make sure when you are done centering,  that the centered clay is as wide as you would like your finished piece to be before you open the clay. For example, if the mug is going to be three inches in diameter, make sure the centered clay is three inches wide, then open it up. If you try to go from two inches wide to three inches wide while you are opening the, bottom of the piece will loosen from the bat.

I make horizontal lines with a wooden rib as a decorative element because I think these lines help accentuate the squareness of the vessel.

When you are satisfied with the size and shape of your mug, slice it off the bat with a wire, and go ahead and suggest the square corners from the sides by pinching them. Then using a wooden rib on inside, pinch in the four bottom corners. Next pinch the rim's four corners. Don't pinch the rim too hard, you don't want a sharp corner because it will split and crack while drying. A tight but rounded corner will do.


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vidphillipssqmug_supp3.jpg
Using his fingers, Keith initially suggests the square corners by pinching the sides.
I let the mugs settle a bit and pull my handles while they are stiffening. I like pulling handles off the mug from a coil and then using a little split and "rivet" to secure it to the mug. I let them set and stiffen while I fix the bottom of the mug.

The bottom is made from a slab of clay rolled out about 3/8 of an inch thick. I brush on plenty of paper slip (slip with paper pulp mixed in: 3/4 porcelain slip to 1/4 soaked toilet paper. See paper clay in the Ceramic Arts Daily Glossary), give it a firm press, then smooth out the seam with a damp sponge.

The little feet are made from a coil and sliced into small pieces and attached to the corners. I think the four feet help define the square as well. The handle is riveted and any burrs are smoothed before going on the shelf to dry.
vidphillipssqmug_supp.jpg
Keith Phillips is a full-time artist, working from his studio in Asheville, North Carolina. You can view and purchase his work at .http://khphillips.etsy.com.






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Read more about these related topics:
Handbuilding Wheel Throwing Functional Ceramics Functional Pottery 

 


22 Comments

Add Your Own Comment

Francine | October 21, 2008 8:29 am

Thank you Keith for this excellent video. I've made a square mug last week following your instructions, it worked but wasn't easy. Now I just wish I could find a similar glaze as yours, we use cone 6 oxidation at our studio, would you know of a substitute glaze for ^6? This site is a great opportunity for all potters to try new techniques. Love the music as well. Merci. Francine


lisa | August 25, 2008 1:25 pm

Fresh work, fresh tunes. Thank you for sharing. I am going to try to demo it tonight for my peeps! ~Bareclay


Keiko | August 24, 2008 11:45 pm

This is a great demonstration all through. Thanks, Keith. Unfortunately I hear the sound awkward. Everytime I open the video, I reduce the volume to 'zero'.


Jim | August 24, 2008 1:23 pm

Keith, thanks for the great video! Great job with the editing and a great soundtrack.


Catherine | August 24, 2008 12:07 pm

Loved the demo - fun "music" to go with - thanks for sharing your techniques! Catherine


Jim | August 24, 2008 11:26 am

Keith, thanks for the great video! Great job with the editing and a great soundtrack.


keith | August 24, 2008 9:06 am

Hey Tiffany, Thanks! I was trying to choose between that song and a track of my daughter practicing her recorder. I was digging the whole "lesson" vibe this one has going for it. It's from Jurassic 5, off their "Jurassic 5 LP".


Tiffany | August 24, 2008 6:52 am

The first thing I wanted to ask is What is the name of that AWESOME Trip Hop track you have playing in the background. Heck I think as artist we should all be allowed our own creative expression (ah hem - even with music). Then onto technique - Love it! Its fantastic! I really like all the creative lines in your work, gives lots of eye candy.


Marion | August 23, 2008 4:31 pm

Great demonstration. Get rid of the music, very distracting.


Diana | August 23, 2008 4:01 pm

Fantastic !!!!! The music, the confidinence and the skill is great to see and experience !!!!More like that !!!Thanks for bringing "working in the studio" up to the times. How refreshing !!!


jeannette | August 23, 2008 3:54 pm

Hi Keith, This was a great video. I can only say the voice over was distracting for me, but I turned it off. I hope to look forward to more video's by you. Your work is lovely! Jen


Judy | August 23, 2008 12:24 pm

I just love your technique, so smooth and defined! I also thought the music/talking was most cleaver. I would love to see more of what you do. Most impressive indeed and many thanks!!! Judy


elisabeth | August 23, 2008 5:05 am

Hi Keith message from Belgium. I liked your smooth working very much. It gives me the feeling of seeing dancing pots. I learned a lot!!!!! thanks bie


keith | August 22, 2008 9:42 pm

Hi Liz, thanks! I put liberal amounts of slip and then I just smooth it with my finger from the inside and remove the excess, and take a sponge to the outside.


Lu | August 22, 2008 9:00 pm

Nice video. I love your work.


Liz | August 22, 2008 8:56 pm

Hello Keith. Nice, efficient technique; I love the mugs. Do you work a coil into the union of the thrown sides and slab bottom, inside the mug? Or do you smooth it with your fingers or a tool? The video doesn't show any work on that inside seam.


Liz | August 22, 2008 8:46 pm

Hello Keith. Nice, efficient technique; I love the mugs. Do you work a coil into the union of the thrown sides and slab bottom, inside the mug? Or do you smooth it with your fingers or a tool? The video doesn't show any work on that inside seam.


keith | August 22, 2008 6:28 pm

Hi Patti, I use paper slip for all my attachments. It makes a secure and very strong bond without scoring. It can also be used (thickened) to mend cracks in both boneware and bisqueware. Wonderful stuff!


keith | August 22, 2008 6:19 pm

Hi Patti, I use paper slip for all my attachments. It makes a secure and very strong bond without scoring. It can also be used (thickened) to mend cracks in both boneware and bisqueware. Wonderful stuff!


patti | August 22, 2008 5:47 pm

Watching thetechnique was helpful, but I had to turn off the music and comments...I could have listened to the music, but the voice was too distracting. Music, voice that didn't pertain to the video directly, video...too many things for my mind to absorb at once. What is the advantage of using paper slip to attach the bottom? Did you use it for all the attachments, handle, feet too?


Karen | August 22, 2008 3:17 pm

How absolutely wonderful and inspiring! This makes me want to take the rest of the day off from work and go make mugs! Excellent work!! Kudos!!


Noam | August 22, 2008 3:08 pm

great video. very helpful. thanks.