Soda glazing is a relatively new development in ceramic history, with
exciting scope for research and experimentation. It is a more popular
ceramic practice, particularly in the U.S., where it is widely taught
in college ceramics departments and workshops, and has attracted a high
number or professional practitioners. Soda glaze surfaces typically
include a thin sprayed-on sheen or light flash, some supplementary
fluxing of an applied glaze, and attempts to imitate the orange peel
texture of salt glaze. Few people have explored the potential for
serious engagement of soda vapor with clay bodies, the dynamics of
atmosphere during firing and cooling, and the unique aesthetic
potential of soda in its own right. Written by Gail Nichols, Soda, Clay and Fire
aims to meet the demand for more advanced technical knowledge of
materials and process and more innovative approaches to soda glazing. $34.95
“…a must-read for anybody who is interested in salt or soda firing…” – Sumi von Dassow
This book is a marvel. It's going to take a while to digest all the
incredible information that Gail Nichols has shared from her years of
exploration into soda firing. I highly recommend this book for anyone
interested in vapor firing. – June P Bakersville, North Carolina
What you'll find in the pages of Soda, Clay and Fire
Chapter 1: Soda
Gail discusses what soda is, how it’s introduced
into the kiln, and what the differences are between salt and soda.
``You’ll also discover how some of the world’s foremost potters use soa
as part of their aesthetic.
Chapter 2: Clay
The second key
ingredient is clay. What kind of slips, how to choose a body, and what
roles clay body components play in color development are all covered.
Chapter 3: Fire
The
third key ingredient, of course, is fire. Gail guides you through the
requirements needed for kiln design and materials along with firing
strategies.
Chapter 4: Painting with Fire
With an
understanding of the three key ingredients, the experimenting begins.
Unlike any book of its kind, Nichols has documented numerous
experiments and provides guidance on creating your own palette.
Chapter 5: Beyond Materials and Process
You’ll
be inspired by Nichols’ account of her quest for a new aesthetic. Along
the way she encountered the need to work out not only forming
processes, but also tackle the uncertainty of the firings and rely
heavily on intuition.
Gail Nichols' volume is a welcome compendium
of the rather sparse information published to date regarding soda fired
clay. And although it is a first, it hits the target nicely. She
balances technical information with aesthetic information (in the form
of well-shot photographs) so that it will appeal to the soda
pyromaniacs as well as the gallery enthusiast. Soda fired clay is a
relatively new phenomenon growing out of the tradition of salt glazed
ware. However, technically and aesthetically, the two traditions are
not twins, nor even siblings. They are more like cousins. Nichols'
research on the subject provides a wealth of data from which anyone
serious about soda firing clay will benefit. Take her up on her
offering. Read this book! – William Buckner Atlanta, Georgia
Price: only $34.95 FREE SHIPPING when you order online (US orders only)
About the Author Gail Nichols is an Australian ceramic artist who has been recognized internationally for her innovative approach to soda glazing. Born and educated in the US, she moved to Australia after a stint in the Peace Corps in Malaysia where she met and married her husband. She discovered ceramics in 1980, initially as a hobby. Her interest rapidly led to full-time study and a focus on salt glazing. Gail began her career as professional potter in 1985, after completing a three-year technical college course. Her first experiments with soda glazing began four years later, in her inner-Sydney studio. In 1996, she began part-time postgraduate study at Monash University, under supervision of Dr. Owne Rye. Gail‘s clay and firing research in soda glazing earned her a scholarship as a full-time research candidate, and by 2002 she completed a PhD. Gail continues to work from her Sydney studio, as well as her second studio on a rural property near Braidwood, New South Wales.
Gail has exhibited her work in Australia and the U.S., has published articles in numerous journals and periodicals, and has won numerous awards. She has taught at Canberra School of Art (Australian National University) and the National Art School in Sydney, regularly leads workshops and participates in conferences overseas. Her work is represented in public and private collections in Australia and the U.S. You’ll be inspired by Nichols’ account of her quest for a new
aesthetic. Along the way she encountered the need to work out not only
forming processes, but also tackle the uncertainty of the firings and
rely heavily on intuition.
Price: only $34.95 FREE SHIPPING when you order online (US orders only)
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